PhD thesis:
Extending Integrationist theory through the creation and analysis of a multimedia work of art: Postcard From Tunis, University of Western Sydney, 2003

other:
Who’s Afraid of Integrationist Signs? Writing, Digital Art, Interactivity and Integrationism, Language Sciences, Oxford UK, Vol. 33 (2011) pp 647-53

Ephemeron - Sculpting a Collective Consciousness and Mapping a Collaborative Process [group paper] Leonardo, Vol. 43 No.5 2010 pp 496-7

"Thinking of Oneself as an Aging Computer/Thinking of (an Aging) Oneself as a Computer" ISEA 2009, Ireland

“Integrationism, New Media Art and Learning to Read Arabic”, in 'Language Teaching: Integrational Linguistic Approaches” M.Toolan(ed.) Routledge. New York. 2009

"POSTCARDS AND SUPASIGNS: Extending Integrationist Theory Through The Creation of Interactive Digital Artworks" Human Technology. An Interdisciplinary Journal on Humans in ICT Environments, Vol. 3 (1), February 2007

"Clinical Notes: A history and Diagnosis of New Media Arts"Vital Signs: Creative Practice & New Media Now; Jones, Lyndal (Editor); Anastasiou, Pauline (Editor); Smithies, Rhonda (Editor); Trist, Karen (Editor). Melbourne: RMIT Publishing, 2006

"The Artist as Self-publisher"Australian Film Commission's Being Connected conference, 1998

“Virtual Reality: Beyond Cartesian Space” (with Jill Scott), in “From Screen Space to Cyberspace. The Development and Introduction of New Image Media”, Ed. P. Hayward and T. Wollen, British Film Institute Publishing, 1993

“Thinking of Oneself as A Computer”, first delivered at SISEA (Second International Symposium on Electronic Art), the Netherlands, 1990, later published in Leonardo (Journal of the International Society for the Arts, Sciences and Technology), Berkeley, USA,(Vol.24, No.5, 1991); translated in 1994 into Italian in “Il Corpo Tecnologico”, Ed. P.L. Capucci, Baskervile and into German in “MultiMind 4”